[ad_1]

Vikky Varun in ‘Kaalapatthar’.
| Photograph Credit score: A2 Movies/YouTube
In a touching scene in Kaalapatthar, an previous girl complains in regards to the lack of water in her place. She provides a actuality examine to the village chief, who’s decked up for the Independence Day celebration, blind to the problems confronted by the individuals of Moodalapalya. Shankar (Vikky Varun), a Border Safety Drive (BSF) jawan, watches the scene with a responsible face. He is aware of that the basis reason for all the issues confronted by his of us is his statue, which has grow to be the speaking level of the village.
Political leaders get slammed for constructing statues and distracting individuals’s consideration from vital issues. Leaders get questioned in the event that they want to hold a selected group of individuals blissful by spending lakhs on statues, whilst they ignore the plight of underprevileged individuals.
Kaalapatthar (Kannada film)
Director: Vikky Varun
Solid: Vikky Varun, Dhanya Ramkumar, Rajesh Nataranga, Sampath, TS Nagabharana
Runtime: 113 minutes
Storyline: A sleepy village comes alive because of a statue of a soldier from the city. Bother begins when individuals start to make use of the statue to their benefit
Varun, who additionally has directed the movie and co-written the screenplay with D Satya Prakash and Raghu Nandan, takes up this heavy topic and makes it palatable for viewers by setting the story towards a rural backdrop and portraying the realities of such a milieu. Naturalistic performances and earthy dialogues enhances the movie’s flavour.

In Kaalapatthar, the village chief, pressurised by the media, publicizes a statue of Shankara. On the identical time, the MLA (Rajesh Nataranga) proudly says in a speech that he would have constructed a taller statue if individuals had mentioned the plan with him. When determined individuals flip to the statue looking for hope, even God turns envious because the temple priest recommends an alteration to the statue. Amid individuals in energy plotting private positive factors, the locals get denied primary amenities corresponding to water, bus service, and correct roads.

A nonetheless from ‘Kaalapatthar’.
| Photograph Credit score:
A2 Movies/YouTube
So why did the statue get erected within the first place? Shankara, who’s assigned the responsibility of a prepare dinner on the BSF, cuts greens as a substitute of firing bullets in a warfare. Again in his hometown, individuals presume him to be toiling exhausting on the battlefield, however Shankara will get confined to the kitchen. Every part modifications when he showcases his courageous aspect by singlehandedly combating males from the enemy camp. Shankara turns into a nationwide sensation, a lot in order that his statue will get constructed.
Bother begins when Shankara begins to expertise the issues that occur to the statue. As an illustration, when the statue will get soaked in rain, Shankara will get drenched as his roof leaks. When this freakish sample repeats too typically, he wonders if it’s a mere coincidence, his phantasm, or if there’s something actually fishy about it.
The movie takes a pleasant flip when the protagonist turns gray. A egocentric Shankara does all the pieces to guard the statue as a result of he believes his life relies on it. A soldier, perceived as fearless, is decreased to a tepid man by a dull statue constructed with black stones (Kaalapatthar in Hindi and therefore the title).
The movie jumps from one battle to a different with out a break, and also you get the sensation that it ends with out a bang. The transitions within the screenplay appear too fast, giving us much less time to course of the twists within the film. But, the movie’s story, as a complete, is rock strong. And the director in Varun is in command of executing the vital scenes. Anoop Seelin deserves particular credit score as his fashionable rating with distinctive beats fantastically displays the everydayness of a village.
We dwell in a time when highly effective individuals construct their very own statues when they’re alive. Kaalapatthar tries to say that whilst they benefit from the consideration and accolades, they have to not overlook their duties. Statues have to be an expression of respect and never an excuse to take advantage of the harmless, says the movie.
Kaalapatthar is at present working in theatres
Printed – September 13, 2024 05:33 pm IST
[ad_2]
2024-09-13 12:03:44
Source hyperlink:https://www.thehindu.com/leisure/motion pictures/kaalapatthar-movie-review-an-interesting-take-on-the-politics-of-statues/article68638319.ece