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One in all dance music’s largest stars creates an expansive, busy LP with some key guest-star assists
The British dance and pop producer Fred once more . . is a DJ who performs golf equipment and raves and in addition a hit-making pop producer who, working with Ed Sheeran and Stormzy, amongst others, was chargeable for a full one-third of 2019’s British number-one hits. Consider him as a little bit Diplo or Skrillex and a little bit Jack Antonoff. Two different producer-DJs additionally come to thoughts whereas listening to Ten Days, Fred once more . .’s fourth album: Jamie xx and 4 Tet, each knowledgeable at melding a melodic indie sensibility with the oceanic repetition native to DJ tradition—and at getting these issues over even to a non-dancing nonce.
Ten Days is an digital album greater than a dance album—it’s meant for listening, and even when he foregrounds the beats, they’re all the time half of a bigger and infrequently busy image. There’s a whole lot of aural haziness right here, a filtered-light psychedelia redolent of the edible period, and an arsenal of visitor vocalists. To not point out producers—“Glow,” essentially the most pumping observe right here, options Duskus, 4 Tet, Pleasure Nameless, and Skrillex. It’s a gradual builder that facilities on a repetitive bright-metallic synth squelch that begins out merely cute earlier than distorting into way more fetching shapes. And the hovering finale, “Backseat,” includes a distinguished pattern from the late Scott Hardkiss, the San Francisco DJ-producer whose wide-open-skies model, heavy on the breakbeats so distinguished once more in current dance music, gives one other source for Fred once more . .’s feel-good style soften.
Generally that breezy high quality doesn’t work; the music’s a glittery, affectless high quality that may really feel like an absence of dedication, whilst you be aware the sheer quantity occurring throughout a given observe. That’s the place the singers are available. Fred once more . . places Anderson.Paak and Chika by as many filters on “Locations to Be,” however they sound exuberant because the observe, which speeds alongside at near-drum & bass tempo. Simply as triumphant is the visitor spot from….await it….Emmylou Harris. The 77 year-old nation legend lights up “The place Will I Be” with a vocal like a candle flickering in a again alley of Sleepy Hole. And the doleful high quality of Pleasure Nameless’s croon on “Peace U Want” underlines its bittersweet lyric—and makes its packed-warehouse-at-3 a.m. piano line cost even more durable.
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Jon Dolan
2024-09-06 14:37:09
Source hyperlink:https://www.rollingstone.com/music/music-album-reviews/fred-again-ten-days-review-1235096509/